NPLI

karen millen dressesActs with Pitbull, a wind blowing over Hungary Bobigny (Seine-Saint-Denis). Presented as part of the Standard ideal, the great festival organized by the MC93, until February 13, the show captures the life in Budapest, where, as one might imagine, a heavy atmosphere, both cafardeuse and edgy, nimbus daily. See the characters in the play, signed by Peter Karpati, an author-guest director for the first time in France: they are confined in an apartment poor, damp, whose floor is rotted by infiltration. It's a couple. She is a maid in a pm? Pital, his companion treats disease uncertain and spend days watching television. They play cards when knocking a man seeking asylum. A dr? Of the man: he seems to come from a legend, as a prophet who would come down from a train in Budapest, and would see the world from one building to another. And what he sees is a world that fears and distrusts. Peter Karpati plays the proximity between actors and audience to get the message sent to Hungary led by Viktor Orban.

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His show is presented in a place that smells bad life: a basement, made up of interconnecting caves, where the actors are trapped in a space so narrow that their bodies en? Slow those spectators, reduced to just fifty. It is a squat, converted into a bar, and located just steps from Trafo, the most exciting place in Budapest, who invited the show. And now finds itself at the heart of a storm: the new cultural policy led by the Mayor dictated a change of direction, which calls into question its future. Trafo, you find Liliom Street, in a neighborhood a little eccentric. Announced by a neon green, the place looks like a refuge on the night of the city. It was built in a former electrical transformer station, and contains an auditorium, an exhibition and a rehearsal. Since opening in October 1998 is, by all accounts, the only place in Hungary to practice a high level international programming in theater and dance. karen millenTrafo has thus invite the choreographer Jer? Me Bel, and host the group DV8 in February, as part of a festival time frame, which will present the Italians Muta Imago and a show on racism against Roma in Hungary ... But now, its director, Szabo Gy? Rgy, who created his identity and secured his reputation, will not be renewed at the end of his term in June. A choreographer, Yvette Bozik - who has been invited several times in France - will succeed him. His appointment caused a general anger: "Trafo, it was the last bastion. He fell," said Csaba Krall. As a dance critic, Krall could argue Yvette Bozik. But, like many, he is dismayed by the arguments of the next direction, which wants to highlight the Hungarian choreographers, too little support, she says, by Szabo Gy? Rgy. "It's simple. Today, just write in a project" I want to do something Hungarian "to be appointed," said Peter Karpati, who wonders what will become of the numerous troops of independent theater that could not live without Trafo, especially in the current environment, where they are severely threatened with losing their subsidies. If Trafo is very revealing of the complex situation of culture in Hungary, where political considerations and artistic issues intertwine. There are both a little war between the theater and dance, a lot of recognition, and a willingness of the authorities who want to institutions at no nationalist. To ride the wave, some artists may even lose their soul. Others, because they refuse to compromise, are threatened by No.? Mage. This can be seen at the Theatre Uj (New Theatre), passed suddenly in the grip of an extreme right direction. Its current director, Istvan Marta, will hand February 1 Gy to the actor? Rgy OF rn. Mr. Marta had to be reappointed: 2 to 6 votes against, the committee charged with selecting candidates had chosen. But the mayor of Budapest, Istvan Tarlos, used his veto power to impose Gy? Rgy OF rn and Istvan Csurka, a neo-fascist author. The latter has added so much in his anti-Semitic, since the announcement of his appointment, he was eventually dismissed from official duties at the theater. But it remains in the entourage of Gy? Rgy OF rn. This one was a member of Jobbik, the far-right party, before approaching Viktor Orban, and would rename the New Theater "Theater of the hinterland", in homage to Hungary "deep". In his letter of intent - where references to the need to end the hegemony of the Jews in the culture appear veiled -, D? Rn highlights "the true national values", which will result in essentially a directory Hungarian. The choice of the takeover of the New Theatre is symbolic. This Jugendstil building is in downtown Budapest, just c? Tee of the Opera. Admittedly, this is not an institution as prestigious as the Katona, world-renowned, whose attack would have caused an international outcry. Eighty-six people work at the New Theater, twenty actors. Two have already announced they were leaving, and most of the technical and artistic direction. This is the case of Kovacs Gy? Rgyi, the CFO. This young 30 year old woman, who worked with Arpad Schilling before joining the New Theater, six years ago, rounds off the accounts and will go in late February. "I voudraisrester in culture, but I'm not s? Re finding a job, the situation is so difficult," she said. "We do not understand, she says. The mayor assured us of his support. The change of direction is not a business decision, but political." The New Theatre has a hall seating 344, another 100, and it provides 260 performances a year. Istvan Marta has recasé, taking the lead, from 1 February, a theater in Pecs, important city in southern Hungary. karen millen saleBefore leaving, he warned the players in the New Theatre: "Do not take a hasty decision, think carefully before resigning. We must live, and fairevivre his family." Yes, but at what price and how? This is the question in Hungary today.